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GORMAN, Anita G., (F), anita.gorman@sru.edu, SLIPPERY ROCK
UNIVERSITY
Three Detectives, Three Approaches
Mystery writers often create and assure their fame, if only for
a short time, by creating memorable detectives, who use either
physical strength or psychological analysis or scientific expertise
or some combination of various qualities to solve crimes to the
satisfaction of the astute reader. I have had occasion to research
the lives and work of three twentieth-century American mystery
writers. The first essay, on Davis Dresser, has been published in
American Hard-Boiled Crime Writers (Gale, 2000); the other essays,
on Helen McCloy and Ralph McInerny, are in the hands of an editor.
Each of these writers has created a famous detective. Davis
Dresser, using the pseudonym of Brett Halliday, fashioned a tough,
physical, daring private investigator, Michael Shayne. Helen McCloy
created the first detective whose day job was that of psychiatrist.
Ralph McInerny continues to write mysteries featuring Fr. Roger
Dowling, priest and accidental detective. Dresserâs goal was
to provide entertainment, McCloyâs to combine entertainment
with psychological complexity. For McInerny, the Fr. Dowling novels
achieve the twin classic purposes of literature: to delight and to
teach, in this case to explore moral and theological
perspectives.
Michael Shayne, who first
appeared in 1935, is a smart, likable private investigator with a
taste for cognac who uses his brains and physical strength more
often than his gun. He flirts with illegality to find criminals,
and he does his work for the love of the hunt as well as for
payment.
Helen McCloy, Davis
Dresserâs second wife, created a different sort of detective
in psychiatrist Basil Willing, who uses his insights into human
behavior and misbehavior to unmask criminals; for example,
"'whenever you lied,'" he tells one culprit, "'you told the truth,
for the creative imagination must always suggest the true emotional
state of the creator.â" In a 1955 essay, McCloy complained
that suspense novels did not get the status or critical attention
they deserved. With the Basil Willing stories, McCloy tried to
raise the level of detective fiction to a somewhat higher level
than her husband had done with his Mike Shayne novels; she believed
that the mystery could be as well written as any other novel
Ralph McInerny does not seem to
have any illusions about the genre of detective fiction. All of
imaginative literature, McInerny asserts, has to do with people
making choices that either strengthen or weaken character; we
"instinctively turn to imaginative reenactments of human action for
some sense of what it all means." Detective fiction accomplishes
this goal on what McInerny calls "a fairly superficial level," yet
Roger Dowling, through his vocation, ponders both the mysteries of
life and its cosmic Mystery. Basil Willing ponders human behavior;
Mike Shayne ponders nothing except the puzzle at hand.
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